Mamma Mia Tickets

Mamma Mia Tickets

The New York Metropolitan Opera House

From its opening in 1883, the Metropolitan Opera has been one of the world’s leading opera companies. Today, the Met’s preeminent position rests on the elements that established its reputation: high quality performances with many of the world’s most renowned artists, a superior company of orchestral and choral musicians, a large repertory of works, and the resources to make performances available to the public.

*Located on the Upper West Side of Manhattan in New York City, between West 62nd and 65th Streets and Columbus and Amsterdam Avenues.

Some Current Shows:

TOSCA

Composer: Giacomo Puccini

Librettists: Giuseppe Giacosa, Luigi Illica

Sung in Italian with Met Titles in English

The opera is based on a play by Sardou, which was written for the famous actress Sarah Bernhardt.

Approximate running time 3 hrs. 0 min.

DIE ZAUBERFLOTE

Composer: Wolfgang Amadeus Mozart

Librettist: Emanuel Schikaneder

Sung in German with Met Titles in English

In the summer of 1791 Mozart started working on an opera to be performed at a small theater run by an old friend, Emmanuel Schikaneder.

Approximate running time 3 hrs. 10 min.

RODELINDA

Composer: George Frideric Handel

Librettist: Nicola Haym

Sung in Italian with Met Titles in English

Handel wrote Rodelinda in 1725, the year after the triumphant success of Giulio Cesare.

FIRST TIME MET ATTENDANCE: All operas are translated via Met Titles. Met Titles are a custom designed system for simultaneous translation that has been created by The Metropolitan Opera. They are used for all opera performances.

For Any Other Questions On The Metropolitan Opera House or Scheduling/Pricing Please Call 1-888-592-7725
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Buy Mamma Mia Tickets

"Mamma Mia" tickets are a top pick of theatergoers everywhere, as packed houses in London, Las Vegas, on Broadway and on tour attest. Even the New York Times' Ben Brantley was won over by this fluffy ABBA-compilation confection: "Though it may be widely described as a hoot by theatergoers embarrassed at having enjoyed it, it gives off a moist-eyed sincerity that is beyond camp."

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